Monday, October 31, 2016
The Segal Theatre at the CUNY Graduate Center, 365 Fifth Avenue, New York, NY 10016-4309
6:30pm Discussion + 11:00am Screenings
FREE + Open to public. First come, first served.
In the mid-1970s, many artists and organizations defied socially destructive policies and fought for the arts as a public good during New York City’s near-bankruptcy and resulting austerity. Scholar and playwright Hillary Miller’s book, Drop Dead: Performance in Crisis, 1970s New York (Northwestern UP, 2016), combines theatre history with analyses of productions of the time to examine how the performing arts survived the crisis. Miller’s account includes Broadway (TKTS), BAM, La MaMa E.T.C., and The Public Theater, and highlights the important role of Martin E. Segal in shaping the City’s cultural policy for decades to come. A panel of playwrights, directors, and historians will join in conversation about the theatre artists and arts institutions of the 1970s, and the significance of its theatrical legacies in our contemporary city. Invited are Julia Foulkes; Jessica Hagedorn; Muriel Miguel, Spiderwoman Theater; Cindy Rosenthal; Richard Wesley; and others (TBD).
All-Day Screening: Shorts from the Feminist Seventies is a selection of 16mm documentaries made by women in the 1970s on topics ranging from marriage, sex, and reproductive health to labor, identity, and memory—all culled from the New York Public Library’s Reserve Film and Video Collection. Opening remarks by curator and film scholar Shilyh Warren, and invited guest Elena Rossi-Snook, Archivist, Reserve Film and Video Collection, The New York Public Library. Additional support from Third World Newsreel.
Visit the Martin E. Segal Theatre Center’s website for the full program information.
photo credit: Shalmon Bernstein