Drop Dead: Performance in Crisis, 1970s New York, Northwestern University Press, 2016.


Hidden Vacancies: Coney Island Art Walls,” Contemporary Theatre Review 27.2, invited contribution for the online “Interventions” (July 2017).

“Subject To Punishment: Julie Bovasso’s Angelo’s Wedding and the Politics of the Unproduced,” Theatre Survey 58.2 (May 2017): 141-161.

“Institutional ‘Landing Sites’ and Uneven Cultural Development: Planned Shrinkage and La Mama E.T.C.” Performance Research Vol. 20, No. 4: ‘On Institutions’ (September 2015): 53-61.

“Live from the Nebulizer: Annie Lanzillotto and Eviction Survival,” in Lateral Journal, Performance and Cultural Studies Special Issue (September 2015).

“Advice to Applicants: Labor, Value, and MFA Program Design,” in PAJ 103 (January 2013): 32-42. (Invited article.)

“Walking the Elastic City: An Interview with Niegel Smith and Todd Shalom of Elastic City,” in Radical History Review 114: Voyeurs, Walkers, and the Politics of Urban Space (Fall 2012): 191-205.

“’Let Our Freak Flags Fly’: Shrek the Musical and the Branding of Diversity,” co-authored article, in Theatre Journal (May 2010): 151-172.


Book review: Christopher Balme, The Theatrical Public Sphere in Theatre Survey 57.1 (January 2016).

Performance Review: “The Pirandello Festival at the Player’s Club,” PSA, the Pirandello Society annual journal (PSA 2013).

Book Review: Nadine George-Graves, Urban Bush Women: Twenty Years of African American Dance, Theater, Community Engagement, and Working it Out in Theatre Survey 53.1 (April 2012): 159-161.

Book Review: Kamran Afary, Performance and Activism: Grassroots Discourse After the Los Angeles Rebellion of 1992, in Theatre Journal 63.4 (December 2011): 666-667.

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